
I know this isn't what I usually post... but I had to share. Check out my BSG snowflake. The outside is cylons, and the inside is the BSG crest. Yup, I'm that much of a dork. Oh, and it took me over an hour to develop.
Finding Beauty in the Chaos






Taken from inside the control room. This is the first shot in years that I thought needed to be monochromatic. The only thing I liked better in color was the Kool-Aid blue gallon of punch. Notice the gloves; someone still works here.
It's incredible to think that this saw-mill is still functioning. As a kid, I could hear the deep thrum of it through the woods a mile away. Family legend has it that the Robert's bro.'s stole our trees for lumber, and since their land meets the back of ours separated by nothing more than the old dry-stone wall, it's probably true. My hermit friend Jack says he once saw them burning a huge stack of tires, the black smoke belching out into the air. Their mill has a feeling of menace about it, and on this freezing-rain day it seemed the most desolate place on earth.


Abandoned House, Topsy, Texas
Brand New Satellite Receiver, Lampasas County, Tx.
This giant of a tree has stood in the center of the town golf course my entire life. No more. The ice-storm took goliath.
I have been trying to photograph this barn for the last 2 years, but it is in the center of a field of pricker-bushes, and I've never made it close enough. The snow was hard enough for me to walk right out to it this time, though.
The third time this truck has been featured in this blog. The hands were an accident. I sort of think they work, though.
A vanashing view: one of the 2 remaining dairy farms in Ashfield (which used to have close to 50 such farms).
Leaning Cupola, Near Route 112, Ashfield Ma.
The tin man used to belong to an oil company somewhere along Route 2. When the place closed down, my neighbor Richard Richardson bought it at scrap metal price, and installed the light-up heart. Richard collects just about anything that can be classified as both junk, and beautiful, and seems to have set his sights on proving the old adage that one man's junk is another man's gold. This place is a great photo destination for anyone interested in decrepit allure.


I know a hermit. He's been in my life for a long time now, and suffice it to say, I've learned a lot from him. Jack never saw me as inferior even when I was 8 and he was...timeless as always. For this reason, I've always heeded his advice. I visited him this summer. I told him I considered some photographs to be visual haiku. My haiku is somewhat awkward, but the photographs I quite like.
I think everyone has a beef with the family from some time in the past. They allegedly harvested several acres of my family's forest a few decades back. This gives them a rather dark history, and the sawmill they own will not make you feel any better about the merits of their business. Ocea has never had a look at this site, the town police look the other way, and the site is far out of the eye of game wardens and the like. My father calls it Mordor. 
Suffice it to say that I am pulled toward the creepy work-hazard like a moth toward flame. All summer I found myself traveling down the rutted road to the Roberts Brother's sawmill. Padding along silently in the feet of sawdust, turning rusty corners on improvised walkways, I felt a sense of kinship with the place.
Was it the reflection of my inner-creep that I was seeing? Was it the danger of the place: shards of glass left in second story windows over work zones? Perhaps it was the accelerated cycle of forest death and birth, symbolized by the mounds of sawdust and the bright green corrugated tin.
Or maybe it was just the graphic beauty of the place, a place etched out like a wood-cut. Maybe there was no occult force drawing me back again and again. Maybe it just felt like that. 