


Thanksgiving morning walk:



Finding Beauty in the Chaos
The tin man used to belong to an oil company somewhere along Route 2. When the place closed down, my neighbor Richard Richardson bought it at scrap metal price, and installed the light-up heart. Richard collects just about anything that can be classified as both junk, and beautiful, and seems to have set his sights on proving the old adage that one man's junk is another man's gold. This place is a great photo destination for anyone interested in decrepit allure.


I know a hermit. He's been in my life for a long time now, and suffice it to say, I've learned a lot from him. Jack never saw me as inferior even when I was 8 and he was...timeless as always. For this reason, I've always heeded his advice. I visited him this summer. I told him I considered some photographs to be visual haiku. My haiku is somewhat awkward, but the photographs I quite like.
I think everyone has a beef with the family from some time in the past. They allegedly harvested several acres of my family's forest a few decades back. This gives them a rather dark history, and the sawmill they own will not make you feel any better about the merits of their business. Ocea has never had a look at this site, the town police look the other way, and the site is far out of the eye of game wardens and the like. My father calls it Mordor. 
Suffice it to say that I am pulled toward the creepy work-hazard like a moth toward flame. All summer I found myself traveling down the rutted road to the Roberts Brother's sawmill. Padding along silently in the feet of sawdust, turning rusty corners on improvised walkways, I felt a sense of kinship with the place.
Was it the reflection of my inner-creep that I was seeing? Was it the danger of the place: shards of glass left in second story windows over work zones? Perhaps it was the accelerated cycle of forest death and birth, symbolized by the mounds of sawdust and the bright green corrugated tin.
Or maybe it was just the graphic beauty of the place, a place etched out like a wood-cut. Maybe there was no occult force drawing me back again and again. Maybe it just felt like that. 
My Dad and Uncle walk my dad's new field just after the second cover crop sprouts up, 8/3.
My sister models a dress she made in the same field, 8/17. 


Lords over their domain of compost. The fence is a bit useless this time of year. Good thing chickens are too stupid to try to run away...



Those last three inspired by Frank Armstrong's this old place photos.

